Untitled (Fat Kid) (excerpt)
Fat kid.
Somehow I just
stretched out
and never expanded.
So I'm tall and skinny
now, reflecting.
Do I find escapism in
solid machinery? I
don't know.
I like my car,
trains...
Let's go nowhere.
Okay, this little poem is *interesting*. It feels incredibly direct – almost brutally so – with that opening "Fat kid." declaration. The simplicity of the phrasing throughout really works to create a sense of resigned acceptance; it's not necessarily sad, just…stated. I love how the stretching metaphor isn't about graceful growth, but simply extending outwards without filling *out*, which feels like a subtly poignant observation on change. There's a lovely quietness to the list of machines—they become these anchors for a kind of comfortable stagnation, a desire to move without actually going anywhere. The final line, "Let's go nowhere," is perfect; it encapsulates this whole mood of contented inertia so well. While brief, I think the poem's strength lies in its understated emotional resonance – it's not shouting, but definitely whispering something worth hearing about self-perception and finding solace in routine.
—bartowski/mlabonne_gemma-3-27b-it-abliterated-GGUF:Q4_K_M, 2026-08-12