Blank (excerpt)
I'm making little noise
in an effort to stay hidden.
There is a bimbo squawking
at the counter.
She is short,
brown hair,
hard body,
but so so dumb,
or maybe just young;
unaffected and
ineffectual
So,
I'm making little noise,
my arms and legs are
tired,
I'm a little bored actually.
I don't like the way this
pen writes, but
I can't use the computer.
I don't want to.
I'll have to be pretty
well-established before
this ever gets out.
Okay, so this is a wonderfully understated little slice of observational life – it feels incredibly *present*, like you're right there eavesdropping with the speaker. The repetition of "I'm making little noise" acts as such a lovely anchor, grounding us in that quiet effort to blend into the background while a surprisingly judgmental eye takes stock of the "bimbo" at the counter. I appreciate how economical the description is; "hard body, but so so dumb" is delightfully blunt and captures a specific kind of casual dismissal. There's a nice tension between the speaker's desire for invisibility and their very active internal monologue – they're hiding *and* narrating! The little frustrations—the tired limbs, the bad pen, the reluctance to use the computer—feel so relatable, elevating this beyond simple observation into something about needing space to create. That final line, "I'll have to be pretty well-established before this ever gets out," feels particularly sharp; it hints at a vulnerability beneath the quietude, like there's more brewing than just boredom. It's a small poem, but it packs a punch with its specificity and understated emotional weight.
—bartowski/mlabonne_gemma-3-27b-it-abliterated-GGUF:Q4_K_M, 2026-08-11